Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Ñáîðíèê ðàññêàçîâ àíãëèéñêèõ è àìåðèêàíñêèõ ïèñàòåëåé. (àäàïòèðîâàíî) — 2001 (Àäàïòèðîâàííîå ÷òåíèå íà àíãëèéñêîì ÿçûêå äëÿ øêîëüíèêîâ)

Ñáîðíèê ñîäåðæèò àäàïòèðîâàííûå ðàññêàçû àíãëèéñêèõ è àìåðèêàíñêèõ ïèñàòåëåé î äåòÿõ è ïîäðîñòêàõ, èõ øêîëüíîé æèçíè, äðóæáå è îòíîøåíèÿõ ñ ðîäèòåëÿìè.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Maugham W.S., Of Human Bondage — 2006 (Bantam classic)

The first and most autobiographical of Maugham's masterpieces. It is the story of Philip Carey, an orphan eager for life, love and adventure. After a few months studying in Heidelberg, and a brief spell in Paris as a would-be artist, he settles in London to train as a doctor where he meets Mildred, the loud but irresistible waitress with whom he plunges into a tortured and masochistic affair

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Maugham W.S., The Magician — 2004

Ïðåäëàãàåìûé ðîìàí îòêðûâàåò ÷èòàòåëÿì íåèçâåñòíîãî Ìîýìà, íå òîëüêî òîíêîãî ïñèõîëîãà è çíàòîêà ÷åëîâå÷åñêîé äóøè, íî è ïûòëèâîãî èññëåäîâàòåëÿ íåïîçíàííîãî. Çàõâàòûâàþùèé ñþæåò - ëþáîâü, ìàãèÿ, êîëäîâñòâî, ìèñòèêà, îêêóëüòèçì - äåëàþò ðîìàí óâëåêàòåëüíûì è èíòåðåñíûì äëÿ øèðîêîãî êðóãà ÷èòàòåëåé, èçó÷àþùèõ àíãëèéñêèé ÿçûê è ñîâåðøåíñòâóþùèõñÿ â íåì.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Maugham W.S., Of Human Bondage — 1983

Originally published in 1915, Of Human Bondage is a potent expression of the power of sexual obsession and of modern man s yearning for freedom. This classic bildungsroman tells the story of Philip Carey, a sensitive boy born with a clubfoot who is orphaned and raised by a religious aunt and uncle. Philip yearns for adventure, and at eighteen leaves home, eventually pursuing a career as an artist in Paris. When he returns to London to study medicine, he meets the androgynous but alluring Mildred and begins a doomed love affair that will change the course of his life. There is no more powerful story of sexual infatuation, of human longing for connection and freedom. Here is a novel of the utmost importance, wrote Theodore Dreiser on publication. It is a beacon of light by which the wanderer may be guided. . . . One feels as though one were sitting before a splendid Shiraz of priceless texture and intricate weave, admiring, feeling, responding sensually to its colours and tones.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Maugham W.S., The Painted Veil — 1981

When her husband discovers her adulterous affair, he forces her to accompany him to the heart of a cholera epidemic. Stripped of the British society of her youth and the small but effective society she fought so hard to attain in Hong Kong, she is compelled by her awakening conscience to reassess her life and learn how to love.The Painted Veil is a beautifully written affirmation of the human capacity to grow, to change, and to forgive.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Maugham W.S., Up at the Villa — 2004

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Õðåñòîìàòèÿ ïî àíãëèéñêîé ëèòåðàòóðå ÕÕ âåêà — 1985

Õðåñòîìàòèÿ ïðåäñòàâëÿåò ñîáîé ïîñîáèå ïî êóðñó àíãëèéñêîé ëèòåðàòóðû XX âåêà äëÿ ñòóäåíòîâ ôàêóëüòåòîâ èíîñòðàííûõ ÿçûêîâ ïåäàãîãè÷åñêèõ èíñòèòóòîâ.  íåå âõîäÿò îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ ïèñàòåëåé è ïîýòîâ. Îòêðûâàåò êíèãó êðàòêèé î÷åðê, õàðàêòåðèçóþùèé àíãëèéñêóþ ëèòåðàòóðó ÕÕ âåêà, åå îñíîâíûå íàïðàâëåíèÿ è òåíäåíöèè. Êàæäîìó ïðåäñòàâëåííîìó â õðåñòîìàòèè àâòîðó ïðåäøåñòâóåò êðàòêàÿ áèîãðàôè÷åñêàÿ ñïðàâêà. Êíèãà çàâåðøàåòñÿ ïîäðîáíûìè ïðèìå÷àíèÿìè, äàþùèìè íåîáõîäèìûå ëèíãâèñòè÷åñêèå, ëèòåðàòóðíûå è èñòîðè÷åñêèå ïîÿñíåíèÿ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Maugham W.S., Collected short stories. vol.3 — 1977 (Penguin books)

This final classic collection reveals Somerset Maugham—s unique talent for exposing and exploring the bitter realities of human relationships in tales of love, infidelity, passion and prejudice. The stories range from —The Lotus Eater— where a man envisions a life of bliss in the Mediterranean, to the astringent tales of —The Outstation— and —The Back of Beyond— in Malaya and South East Asia.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Maugham W.S., The Moon and Sixpence — 1983

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Maugham W.S., The Razor s Edge — 1978

Larry Darrell is a young American in search of the absolute. The progress of his spiritual odyssey involves him with some of Maugham's most brilliant characters - his fiancée Isabel whose choice between love and wealth have lifelong repercussions, and Elliott Templeton, her uncle, a classic expatriate American snob. Maugham himself wanders in and out of the story, to observe his characters struggling with their fates. Larry Darrell, Isabel's ex-fiance who, after searching from the stockbroking life of Chicago to a guru's ashrama in Southern India, finally finds spiritual peace.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Making It All Right. Modern English Short Stories — 1978

Ñáîðíèê ñòàâèò ñâîåé öåëüþ ïîçíàêîìèòü ÷èòàòåëÿ ñ ëó÷øèìè îáðàçöàìè òâîð÷åñòâà àíãëèéñêèõ íîâåëèñòîâ 50-õ - 60-õ ãã.  íåì ïðåäñòàâëåíû ïèñàòåëè íåñêîëüêèõ ïîêîëåíèé, ñîçäàâàÿ êðàñî÷íóþ, ìíîãîëèêóþ êàðòèíó ñåãîäíÿøíåé Àíãëèè. Êíèãè ïðåäñòàâëÿåò ðàçíîîáðàçíûå òåìàòèêè è ñòèëèñòèêè ñîâðåìåííîãî àíãëèéñêîãî ðàññêàçà.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Maugham W.S., Cakes and Ale — 1978

Cakes and Ale is a satire of London literary society between the Wars. Social climber Alroy Kear is flattered when he is selected by Edward Driffield's wife to pen the official biography of her lionized novelist husband, and determined to write a bestseller. But then Kear discovers the great novelist's voluptuous muse (and unlikely first wife), Rosie. The lively, loving heroine once gave Driffield enough material to last a lifetime, but now her memory casts an embarrassing shadow over his career and respectable image. Wise, witty, deeply satisfying, Cakes and Ale is Maugham at his best.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Maugham W.S., Of Human Bondage — 1970 (A Penguin Book)

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Maugham W.S., Catalina — 1991

Crippled sixteen-year-old Catalina is the one person unable to join in the festivities of the Feast of the Assumption. But then she has a vision of the Virgin, and is miraculously cured. In the dark days of the Spanish Inquisition, such a claim to blessedness has serious consequences, especially when Catalina seems more inclined to obey her heart than the demands of the Church. The last of Maugham s novels, Catalina is a romantic celebration of Spain and a delightfully mischievous satire on absolutism.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Maugham W.S., Selected Short Stories — 1999

This classic collection reveals Somerset Maugham s unique talent for exposing and exploring the bitter realities of human relationships in tales of love, infidelity, passion and prejudice.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Maugham W.S., Rain and Other Stories — 1977

This classic collection reveals Somerset Maugham s unique talent for exposing and exploring the bitter realities of human relationships in tales of love, infidelity, passion and prejudice.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Maugham W.S., Collected Short Stories. Vol.2 — 1977

This classic collection reveals Somerset Maugham s unique talent for exposing and exploring the bitter realities of human relationships in tales of love, infidelity, passion and prejudice.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Maugham W.S., Cake and Ale:or the Skeleton in the Cupboard — 1980

Cakes and Ale is a satire of London literary society between the Wars. Social climber Alroy Kear is flattered when he is selected by Edward Driffield's wife to pen the official biography of her lionized novelist husband, and determined to write a bestseller. But then Kear discovers the great novelist's voluptuous muse (and unlikely first wife), Rosie. The lively, loving heroine once gave Driffield enough material to last a lifetime, but now her memory casts an embarrassing shadow over his career and respectable image. Wise, witty, deeply satisfying, Cakes and Ale is Maugham at his best.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Maugham W.S., Liza of Lambeth — 1978

Maugham's first published novel - a vividly realistic portrayal of slum life. Down among the drab slums of Lambeth, eighteen-year-old Liza is the darling of Vere Street. Vibrant and bewitching, she has found an adoring if conventional beau in Tom. When she meets Jim Blakeston, a married man new to the area, she is immediately magnetized by his attentions. But the streets are wise to their illicit, passionate affair and before long the secret is out.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Maugham W. S., The Moon and Sixpence — 2004

Based on the life of Paul Gauguin, The Moon and Sixpence is W. Somerset Maugham's ode to the powerful forces behind creative genius. Charles Strickland is a staid banker, a man of wealth and privilege. He is also a man possessed of an unquenchable desire to create art. As Strickland pursues his artistic vision, he leaves London for Paris and Tahiti, and in his quest makes sacrifices that leaves the lives of those closest to him in tatters. Through Maugham's sympathetic eye Strickland's tortured and cruel soul becomes a symbol of the blessing and the curse of transcendent artistic genius, and the cost in humans lives it sometimes demands.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ